Feb
16
2012
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“High Tide” album review by Sean Cooper of Alternate Parallel Reality |
Delighted that Mr Cooper has taken the time to review HIGH TIDE š
(review by Sean Cooper of Alternate Parallel Reality, ripped fromĀ http://alternateparallelreality.com/?p=61)
āHigh Tideā by Cassandraās Myth
Plot spoilerā¦ this is a great release!
Some years ago I ran a little music label and the experience was both rewarding and challenging. One of the challenges was discovering (the hard way) that there are often very legitimate and viable reasons for the loathesome behaviour of major labels. One of the rewards was discovering talented and likeable artists with massive potential. Both the challenges and rewards collided when I received a very impressive demo (which I still treasure) by an act called Cassandraās Myth.
I liked Ben and his music straight away.. I could tell that there is immense talent and maturity there, and knew Iād be a fan for life. But my label was struggling ā it wouldnāt survive long enough to publish the first Cassandraās Myth album ā and I was forcing myself to think like one of those awful A&R people who need to pigeonhole artists.
Cassandraās Myth was stunningly eclectic, effortlessly spanning genres and styles. I couldnāt describe this artist in a sound bite. My own musical creations are characterised by genre-hopping so I knew what a curse it could be in terms of marketing. One one hand, we want all the songs to sound distinct and to know that the artist has range and scopeā¦ but we also want an essential āthem-nessā that unifies it all. Weāre playing a risky game of lucky dip every time we purchase from a musical chameleon ā we have a feeling we could do as well taking a random sampling from any unthemed compilation.
Thus, I was tempted to steer Cassandraās Myth towards aspects of their sound that might be easier to sell by description than winning hearts one at a time by getting people to hear for themselves. I wish I hadnāt articulated this concern at the time; I risked alienating a friend and constricting one of the most talented independent musical artists in this country. Thatās a big regret, but I was hemorrhaging funds and wanted as many people to hear this guy as I could.
Fast-forward nearly a decade to now, and Iām pleased to say that not only is Cassandraās Myth still making music, but that itās as effortlessly eclectic as it ever wasā¦ and itās sounding better, more beautiful, sophisticated and interesting than ever. Which brings us to High Tide, the latest album. Of his rare releases, Iāve already listened to this one more frequently than the others.
This is a more reflective piece than the othersā¦ the last release, āMaintenanceā started with energy and edginess, and revealed a more introspective side for the people still listening to the second half of the album. The new offering, āHigh Tide,ā begins with a softer piece called āDevotionalā that is a beautiful entrĆ©e, letting us know that we have a special and intimate experience ahead.
There are still, however, surprises. The autotuned vocals in the albumās eponymous track caught me off-guard. Once I got over the initial shock, though, I enjoyed how well it worked in the song. It could be something of an affront to the darker or more industrially-based listeners, but Ben has a way of keeping your faith by weaving together unlikely sonic elements and making them work.
The production values here are immaculate too, and the best exemplar is āXoffā with itās perfectly captured acoustic guitar riff, textured pads and layered vocals. Benās become quite the audio engineer and the whole albumās sound has the champagne sparkle of well-executed production techniques.
āWingsā was the first song I heard, in demo form, from this album and I fell in love with it straight away. Itās a lovely tune, filled with mellow and wistful ambience. It would sit nicely alongside a lot of the tracks by The Church in their Remote Luxury era. āWingsā is a perfect chillout song and, to me, is the heart of the āHigh Tideā album.
This album has itās darker side, from the sinister soaring synths of āNeutableā to the dark electronics of āWomb Nestāā¦ and it all belongs in a complex and beautiful tapestry that is the āHigh Tideā listening experience. Earlier releases might be characterised by more of the kinds of songs that more readily stand out as āsinglesā, but Iām confident that history will vindicate High Tide as the most rewarding and endearing album yet. It signifies a lot of musical talent and maturity and makes me very proud to be acquainted with itās creator.
The music industry is a frustrating and contradictory beast and notions of fairness simply have no place. Acts like Ke$ha will be installing diamond-encrusted X-boxes in their personal jets, while unsigned independent artists find it hard to even give their music away. We probably canāt do much about the first half of that sentence, but we can fix the second bit ā āHigh Tideā by Cassandraās Myth is offered as a completely free download at his website,Ā www.cassandrasmyth.com
Thatās right, Benās giving this away. You can totally take it and listen to your heartās content. Check out a stunning offering from one of Australiaās great unsigned underground indie artists and you wonāt have to take my word for how damn good it is.
Get your free copy of āHigh Tideā by Cassandraās Myth HEREĀ